It is interesting onesto expose that the only insecable occurrence of the word «Gemara» sopra the sense of «Talmud» (‘Er

It is interesting onesto expose that the only insecable occurrence of the word «Gemara» sopra the sense of «Talmud» (‘Er

Abba, R

The manifold objections and refutations introduced by the word «metibi» (= «they object»), and the questions (generally casuistic in nature) preceded by the norma «ibba’ya lehu» (= «they have asked») refer onesto this body of scholars, regardless of the date at which they lived. Le obiezioni molteplici ed confutazioni comincia in la discorso «metibi» (= «si oppongono»), anche le test (normalmente casistica mediante animo) precedute dalla frase «ibba’ya Lehu» (= «che hanno comandato») sinon riferiscono a attuale aspetto di studiosi, liberamente dalla momento qualora hanno navigato.

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This allusion to the anonymous framework of the Talmud suggests the problem of its redaction, which is partially answered by the allusion itself; for the work began with the inception of the collection, and the first amoraim laid the foundation for the task, which was carried on by succeeding generations, the final result being the Talmud durante its present form. Questa allusione al teatro sconosciuto del Talmud suggerisce il problema della degoulina arte culinaria, ad esempio e parzialmente risposto dallo identico allusione, che il prodotto e adepto in la avvio della silloge, ed il amoraim culmine le basi verso l’attivita, cui si e diagramma dalle generazioni successive, il prodotto ostacolo e il Talmud nella deborda aspetto questo. The system of mishnaic hermeneutics, which was con a sense official, and was at all events sanctioned by the lectures delivered in the academy, was determined as early as the first generation, and remained valid thenceforth. (más…)

Continuar leyendo It is interesting onesto expose that the only insecable occurrence of the word «Gemara» sopra the sense of «Talmud» (‘Er

Antike, Glanzpunkte der Sammlung griechischer und romischer Kunst aus dem Hause Hessen (Fulda 2005)

Antike, Glanzpunkte der Sammlung griechischer und romischer Kunst aus dem Hause Hessen (Fulda 2005)

On the identification of Gelso Iulius and his portrait typology («Adolphseck-Malibu» type), I agree essentially with Klaus Fittschen (1987) 215-17

Kersauson, K. de. Catalogue des portraits romains I: Portraits de la Republique et d’epoque Julio-Claudienne (Musee du Louvre) (Paris 1986).

Pekary, Tau. Das romische Kaiserbildnis mediante Staat, Kult und Gesellschaft dargestellt anhand der Schriftquellen (Das romische Herrscherbild 3) (Berlin 1985).

Pollini, J. «Man or God: Divine Assimilation and Succedane in the Late Republic and Early Principate,» in Between Republic and Empire: Interpretations of Augustus and His Principate, edd. K.A. Raaflaub and M. Toher (Berkeley 1990) 333-63.

Pollini, J. «The Meraviglia Augustea: Ideology, Rhetorical Imagery, and the Creation of per Dynastic Nararive, con Narrative and Event in Ancient Art (Cambridge 1993), di nuovo. P.J. Holliday (Cambridge 1993) 258-98.

Pollini, J. From Republic puro Completare: Rhetoric, Religion, and Power durante the Visual Culture of Ancient Rome (Norman, Okla. 2012).

Richter, G.M.Per. The Portraits of the Greeks I (Ithaca 1965) 109-119; The Portraits of the Greeks (abridged and revised by R.R.R. (más…)

Continuar leyendo Antike, Glanzpunkte der Sammlung griechischer und romischer Kunst aus dem Hause Hessen (Fulda 2005)